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Wednesday, November 18, 2009

Review: Amos the Transparent, The Love Machine @ Rancho Relaxo, Toronto.

I was working steadily on Saturday night, and unsure whether I should even leave the house for some fun, but about 11:30pm I decided it was time for a break. I was at Toronto's Rancho Relaxo by midnight, in time to catch the final two bands on the bill that night: Ottawa's the Love Machine and Amos the Transparent, also from the nation's capital.

The Love Machine played a full, happy set of exuberant, catchy songs. Mostly new ones, they said. I was impressed, and the crowd certainly was, too. Although I'd never seen the band before and hadn't a clue what to expect, I was definitely late to the party. Audience members were singing along to some songs, knew the right hand-claps, and etc. Their music wasn't the most cutting edge pop I've ever heard, but their energy and enthusiasm made it all the better. Great four-part harmonies and a little synth action didn't help either. Good stuff.

The last song was the show-stopper. It ended "This is the way that we scream our hearts out." It's not on the disc I got afterward (their 2007 EP, If You're a Bird, I'm a Bird), and a little internet searching revealed that's it's on their first (self-titled) EP, put out in 2005. I believe the band is currently putting together another album. Something to keep an ear out for.

It'd been several months since I last saw Amos, one of my favourite bands of 2008 that's only gotten stronger since then. By all rights they should be playing much larger venues---and they sometimes do---so I knew I was in for a treat. The first time I saw this band was at Rancho, they are always so much fun in that long, narrow room. Plus, a look at their new website earlier that day informed me that the band had new, red t-shirts! (Embarrassing admission: One time I went to Rancho to see Amos play wearing one of their band t-shirts.)

Things were running really late at Rancho, and if I'd been relying on the subway, I would have had to miss their set, seeing as it started at about quarter after 1am. (Thank you, bicycle.) The band had noticed the late start, too, taking the opportunity to drink perhaps a little more than usual in advance of playing. Lead-man Jonathan Chandler noted as much to us, paraphrasing local blogger Bob Battams. But, so much the better, I say! The band played rousing versions of songs off their albums, 2007's wonderful Everything I've Forgotten to Forget and the 2009 EP, My, What Big Teeth You Have . . . . (I was planning on stealing the set list after the show, but I got distracted [see below]). One of things that sets this band apart from others is that each time they perform, their songs sound just a little different. The changed instrumentation is on purpose, and helps keep things interesting. Although the crowd had thinned a little, there was still a good contingent out, dancing and singing along. The band expects their audiences to know the words to their songs when they play Toronto, and we didn't let them down.

Soon enough, Two Way Monologues' promoter Dan Wolovick and his wife, Terri Coles, were handing out shots of Jägermeister to the band members. But, somehow, there was one left over, and since I was right in front of him, Chandler told me to drink up. (That's him in white; also pictured is Daniel Hay.) Oh boy. So then the set got a little more fun and a bit more sloppy and I had to concentrate more on not losing my balance. Ahem. There were attempts at contests to give away EPs, a rendition (feat. audience participation) of "happy birthday" for Chandler's wife, much hooting and hollering and etc.

I had a blast. I bought a red t-shit---$10!---and tried to sober up a little before heading home. Note: One shot of Jager is apparently one too many.

Download: The Love Machine, "Green Tea and Honey" (If You're a Bird, I'm a Bird, 2007).
Download: The Love Machine, "We Are Squirrels and This Is Nuts (The Family Song)" (The Love Machine, 2005).
Download: Amos the Transparent, "Lemons, aka BigFishLittlePond" (My, What Big Teeth You Have..., 2009).
Download: Amos the Transparent, "Title Track" (Everything I've Forgotten to Forget, 2007).

Amos the Transparent are playing at Ottawa's Capital Music Hall on 27 November, competing for a $250,000 grand prize (the Big Money Shot). They've already won a tidy $25,000, and I, for one, would LOVE for them to take home the "big money." If you're in Ottawa that night, go see them!

Photo credit: Terri Coles.

Labels: Amos the Transparent, free downloads, Live review, Rancho Relaxo, The Love Machine, Toronto

posted by historyjen at 2:02 PM 0 Comments Links to this post





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minilogues -- Amos the Transparent

From Minilogues and Two Way Molologues - Amos the Transparent plays in a College St. (Toronto) Parking Lot.

minilogues -- Amos the Transparent

Labels: Amos the Transparent, live video, minilogues, Two Way Monologues

posted by Justin Beach at 12:10 PM 0 Comments Links to this post





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Tuesday, September 22, 2009

The 2009 Verge Music Awards


The Verge Music Awards were held Tuesday, Sept. 22 at The Mod Club in Toronto.


The Finalists:

ARTIST OF THE YEAR
Alexisonfire
Amos the Transparent
Dan Mangan
Joel Plaskett
Said The Whale


ALBUM OF THE YEAR

Alexisonfire - Old Crows/Young Cardinals
Arkells - Jackson Square
Joel Plaskett - Three
Metric - Fantasies
Mother Mother - O My Heart


The Winners:

ARTIST OF THE YEAR
Dan Mangan


















ALBUM OF THE YEAR
Alexisonfire - Old Crows/Young Cardinals













Photo credits:

Dan Mangan - Cody Lobreau
From the 2009 WCMAs...nice job!

Alexisonfire - designermagazine.org

Labels: Alexisonfire, Amos the Transparent, Arkells, Dan Mangan, Hey Rosetta, Joel Plaskett, Metric, Mother Mother, said the whale, The Mod Club, The Weakerthans, Verge

posted by Russ Gordon at 8:14 PM 0 Comments Links to this post





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Friday, September 4, 2009

XM Verge Finalists Announced


Chances are you've gotten a few announcements from various bands urging you to vote in the XM Verge awards for Artist of the Year and Album of the Year. The voting is now over and the finalists have been announced. On September 22, the 2nd annual Verge Music Awards will be announced and the winner in each category will receive 25 thousand dollars.

The finalists are
Artist of the Year:
Alexisonfire

Amos The Transparent

Dan Mangan

Joel Plasket

Said The Whale
Album of the Year
Alexisonfire - Old Crows/Old Cardinals

Arkells - Jackson Square

Joel Plasket - Three

Metric - Fantasies

Mother Mother - O My Heart
For more info check out thevergeonline.com/vma.

Labels: Amos the Transparent, Arkells, Awards, Dan Mangan, Joel Plaskett, Metric, Mother Mother, said the whale, Verge

posted by Justin Beach at 12:26 AM 0 Comments Links to this post





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Thursday, July 9, 2009

Bluesfest: Day 1

July 8th was the start of the Cisco Ottawa Bluesfest.

Highlights that I covered:
Amanda Rheaume
Amanda Rheaume @ Ottawa Bluesfest
Flash Lightnin'
Flash Lightin' @ Ottawa Bluesfest
Amos The Transparent
Amos The Transparent @ Ottawa Bluesfest
Bluesfest 019
MonkeyJunk
MonkeyJunk @ Ottawa Bluesfest
Jon & Roy
Jon & Roy @ Ottawa Bluesfest
Jeff Beck
Jeff Beck @ Ottawa BluesfestJeff Beck's bassist @ Ottawa Bluesfest

Labels: 2009, amanda rheaume, Amos the Transparent, Flash Lightnin', Jeff Beck, Jon and Roy, MonkeyJunk, Ottawa, Ottawa Bluesfest

posted by Ming Wu Photography at 7:29 AM 1 Comments Links to this post





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Tuesday, May 26, 2009

Elsewhere in the Blogosphere

Exclaim reviews Weird Weather's 'Surface of the Moon'

CBC Radio 3 on Cadence Weapon: Edmonton's new Poet Laureate

Pete Nema has some great shots of Amos the Transparent at the Horseshoe.

I (Heart) Music has a look at Pink Mountaintops.

Herohill on Josh Martinez - World Famous Sex Buffet.

HistoryJen on her current crop of favorite bands.

the Forest City Lovers are home from Europe and have this lovely video that someone shot of them in Italy:

Labels: Amos the Transparent, Cadence Weapon, CBC Radio 3, Forest City Lovers, Herohill, HistoryJen, I (Heart) Music, Pete Nema, Weird Weather

posted by Justin Beach at 11:23 PM 0 Comments Links to this post





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Saturday, May 23, 2009

I (Heart) Music v. SOCAN II

It would appear that, through tremendous support from readers, musicians, bloggers and others that I (Heart) Music will continue. Through a combination of donations of money and music and a settlement with SOCAN the blogger/promoter will be able to settle with SOCAN and continue to blog and produce live shows. First, it was announced, that in addition to monetary donations that a number of musicians have dedicated songs to a benefit CD:
"I'm extremely grateful to everyone who's helped out, and all the people whose name appears to the right will be rewarded for their generosity in the form a compilation album that I'm in the process of putting together. It's going to feature new, rare and unreleased tracks donated by the likes of Bonjour Brumaire, The Burning Hell, Amos the Transparent, These Electric Lives, Black Hat Brigade and a whole bunch of other great artists (including some other big names who are just in the process of figuring out what songs they can provide), and it's my way of saying thank you in a non-email way.
Second there is a very interesting tidbit of SOCAN info in the post that does not seem to be widely known:
"I also learned that, contrary to what a lot of people have told me in the last week, just because a show costs less than $6, it doesn't mean that it's exempt from SOCAN. It only means that SOCAN doesn't have to reimburse artists for those shows. I'm going to repeat that, since everyone I've told that to has responded with a stunned silence: SOCAN is legally entitled to royalty payments for every show in which either one member of a band is a member of SOCAN(or one of the songs performed was written by a SOCAN member), regardless of the show's price. If a show is greater than $6, then the SOCAN-member bands are allowed to apply to be reimbursed for performance royalties (starting at $75 per show). If, however, the show is $6 or less, than SOCAN gets to keep the money. I'm still trying to wrap my head around the logic of that, but, apparently, it is the law. So that defence didn't work either."
Third there is a benefeit show coming up - see image below or visit I (Heart) Music and read the whole thing.



Cheers to the music community for pulling together and helping to keep a good thing going, in spite of SOCAN!

Labels: Amos the Transparent, Black Hat Brigade, I (Heart) Music, SOCAN, the Burning Hell

posted by Justin Beach at 5:28 PM 2 Comments Links to this post





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